Jazz legend Abdullah Ibrahim waited at the piano, listening intently, while his bandmates, Cleave Guyton on flute and Noah Jackson on bass, finished a quietly acrobatic rendering of a Duke Ellington classic that was also a nod to Ibrahim’s past. Guyton and Jackson finished, and left the stage. Then Ibrahim began, slowly, deliberately, with exquisite touch and gorgeous dynamic control, the product of decades of playing. He took his time working through his theme, and as the large audience at the Shubert Tuesday was struck silent, seemed to stop time itself.
Ibrahim’s performance—organized jointly between the Shubert and the Schwarzman Center—was part of a string of performances carrying the venerable College Street theater through the end of the year.
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