Renowned American soprano sings works commissioned by and for her from five, Black female composers...

The Shubert Theatre and Yale Schwarzman Center bring Ibrahim to New Haven

On the heels of her keynote conversation on Oct. 26 in New Haven Anna Deavere Smith returns to Wesleyan.

Creative and Performing Arts (CPA) Awards

Written and directed by Brennan Columbia-Walsh ’26, “Fear and Trembling” is a dramatic interpretation of Søren Kierkegaard’s legendary treatise.

A light, whimsical atmosphere filled the intimate space of the Dome as the Yale Ballet Company, or YBC, performed “Alice in Wonderland” to the live music of the Yale Undergraduate Chamber Orchestra.

Ibrahim’s performance — organized jointly between the Shubert and the Schwarzman Center — was part of a string of performances carrying the venerable College Street theater through the end of the year.

“How stable everything seems, even as we conceive and conceive that nothing lasts forever,” sang Gelsey Bell as she stood shoulder to shoulder with her fellow actors in front of the crowd.

Gelsey Bell’s opera Morning//Mourning explores a world where humanity has vanished, leaving nature to reclaim the Earth.

On Nov. 4, Yale Peabody Museum, in partnership with Yale Schwarzman Center, will host an experimental opera that imagines Earth after human extinction.