Biographies

Biographies 

Biographies 

JULIA BULLOCK 
Classical Singer

Grammy-winning American classical singer Julia Bullock combines versatile artistry with a probing intellect and commanding stage presence. As well as headlining productions and concerts at preeminent arts institutions around the world, she has held positions as Featured Artist of London’s Philharmonia Orchestra and Artist-in-Residence of New York’s Metropolitan Museum of Art, London’s Guildhall School of Music and Drama, and the San Francisco Symphony. A prominent voice of social consciousness and activism, she was named a 2021 Artist of the Year and “agent of change” by Musical America.

Bullock’s operatic career spans repertoire from the Baroque canon to contemporary works written expressly for her voice. This season, she makes title role appearances in both Handel’s Theodora at the Teatro Real Madrid and John Adams’s Antony and Cleopatra, a work composed with her in mind, at the Metropolitan Opera, where she recently made her house debut in his El Niño. She has previously created important new roles in Terence Blanchard’s Fire Shut Up in My Bones, Michel van der Aa’s Upload, and Adams’s Girls of the Golden West. In concert, she has performed with ensembles including the Los Angeles and New York Philharmonics; the Baltimore, Boston, London, NHK, and San Francisco Symphonies; the Deutsches Symphonie-Orchester Berlin; and London’s Philharmonia Orchestra and Orchestra of the Age of Enlightenment, with which she gives a transatlantic tour this season. Past solo highlights include tours with the American Modern Opera Company, of which she is a founding core member; the American, British, Belgian, and Russian premieres of Zauberland; and recitals at New York’s Carnegie Hall, Los Angeles’s Disney Hall, Philadelphia’s Kimmel Center, Boston’s Celebrity Series, Washington’s Kennedy Center, and London’s Wigmore Hall.

Bullock has developed and launched three signature projects, all flourishing nationally and beyond. Her multimedia ensemble program “History’s Persistent Voice” addresses the transatlantic slave trade through songs by people enslaved in the U.S. and through visual art, poetry, and new music by B/black female composers. Devised with her husband, Christian Reif, El Niño: Nativity Reconsidered is a chamber orchestral arrangement of El Niño that amplifies the voices of women and Latin American poets. Perle Noire: Meditations for Joséphine, created with Tyshawn Sorey, Claudia Rankine, Michael Schumacher, and Peter Sellars, reexamines the life and legacy of Joséphine Baker. Recorded with Reif and the Philharmonia Orchestra for Nonesuch, Bullock’s solo album debut, Walking in the Dark, won the 2024 Grammy Award for Best Classical Solo Vocal, as well as Opus Klassik and Edison Klassiek awards. Her discography also includes Grammy-nominated recordings of Doctor Atomic and West Side Story, while other honors include the Sphinx Medal of Excellence, Lincoln Center’s Martin E. Segal Award, and First Prize at the Naumburg International Vocal Competition.

CHRISTIAN REIF

Chief Conductor of the Gävle Symphony Orchestra and GRAMMY® Award-winning artist Christian Reif also serves as Music Director of the Lakes Area Music Festival in Minnesota. Highlights of Reif’s 2024/25 season include debut performances with the Los Angeles Philharmonic at the Hollywood Bowl, Phoenix Symphony, Detroit Symphony, and Canada’s National Arts Centre Orchestra. He returns to SWR Symphony Orchestra and Royal Northern Sinfonia and conducts his own arrangement of John Adams’ El Niño with the Münchner Rundfunkorchester, Gävle Symphony, and the American Modern Opera Company. From 2016 to 2019, Christian was Resident Conductor of the San Francisco Symphony and Music Director of the SFS Youth Orchestra, after previously being the Conducting Fellow at the New World Symphony and Tanglewood Music Center.

HANA S. KIM

Hana S. Kim is a visual artist and projection designer for live performances. Recent design credits include Everything Rises with Jennifer Koh and Davóne Tines, Sweet Land with The Industry, Wonderful Town, The Anonymous Lover with LA Opera, and La Clemenza di Tito with San Francisco Conservatory of Music. Off-Broadway and in New York, she has worked on Eve’s Song, The Visitor with the Public Theater, and Magdalene with Beth Morrison Projects. She is the recipient of the Princess Grace Award and LA Drama Critics Circle Distinguished Achievement Award. Hana Kim on the visual design for History’s Persistent Voice:

"Upon being approached by Julia and listening to the workshop recording, I was immediately immersed in dualities co-existing perfectly. It felt intimate yet so grand. Words were simple but profoundly effective in capturing specific experiences so vividly that I could almost see the protagonists in each song. Their collective voices of resilience deeply moved me. In my effort to create visual shapes to these voices, Thornton Dial’s quote guided me along: 'Art is strange-looking stuff and most people don’t understand art. Most people don’t understand my art, the art of the Negroes, because most people don’t understand me, don’t understand the Negroes at all. If everybody understand one another, wouldn’t nobody make art. Art is something to open your eyes. Art is for understanding.'"

THE NEW HAVEN SYMPHONY ORCHESTRA (NHSO)

131 years after its inaugural performance, the New Haven Symphony Orchestra (NHSO) continues its legacy of artistically excellent performances, award-winning education programs, and innovative approach to community engagement. The fourth-oldest orchestra in the United States, the NHSO performs more than 75 concerts each year for 35,000 audience members, including 9,000 students. Under the leadership of Music Director Perry So, as well as Principal Pops Conductor Chelsea Tipton, II, the orchestra has achieved a level of artistic excellence that has generated excitement and new opportunities. The Symphony’s commitment to Diversity, Equity, Inclusion, and Belonging informs all of its work. The NHSO is one of only nine orchestras nationwide to be awarded back-to-back Futures Fund grants for innovation. Through the Harmony Fellowships for Underrepresented Musicians, Conductors, Board Directors, and Administrators, as well as numerous education and community engagement programs, the Symphony strives to be a leader for racial equity in the arts. These ongoing efforts have earned the NHSO recognition and awards from the League of American Orchestras, the Getty Foundation, the National Endowment for the Arts, the Community Foundation for Greater New Haven, and the Greater New Haven Chamber of Commerce. Music Education is central to the NHSO’s mission. The orchestra is Connecticut’s largest provider of curriculum-enhancing music education services, partnering with 50 school districts to implement Teacher’s Resources that support achievement of State and National Core Arts Standards. The NHSO’s wide-ranging menu of education opportunities include Young People’s Concerts, Family Concerts, the Listen Up! Podcast Series, KidTix, and the Young Composer’s Project.  To learn more about the NHSO, visit NewHavenSymphony.org. 

THOMAS O. KREIGSMANN 
Producer, ArKtype

Tony-nominated producer specializing in new work development and production worldwide, returning to Alice Tully Hall following last summer’s festival The Ephemeral Cinema of Sam Green. He was shortlisted for an Oscar nomination and won best picture at the Cinema Eye Awards for Sam Green’s 32 Sounds in 2024, and recently premiered the Tony nominated Illinoise by Sufjan Stevens & Justin Peck on Broadway following runs at Fisher Center @ Bard, Chicago Shakespeare Theater, and Park Avenue Armory. His past work includes projects with Mikhail Baryshnikov, Peter Brook, Daniel Fish, Victoria Thiérrée-Chaplin, Yael Farber, Anna Deavere Smith, Annie-B Parson & Paul Lazar, Jessica Blank & Erik Jensen, Peter Sellars, Julie Taymor, and John Cameron Mitchell. Recent premieres include 600 HIGHWAYMEN’s A Thousand Ways, CHRISTEENE’s The Lion the Witch and the Cobra, nora chipaumire’s NEHANDA, Bryce Dessner’s Triptych (Eyes of One on Another) directed by Kaneza Schaal, John Cameron Mitchell’s The Origin of Love, Sam Green & Kronos Quartet’s A Thousand Thoughts, Big Dance Theater / Mikhail Baryshnikov’s Man In a Case, and Nalaga’at Deaf-Blind Theater’s Not by Bread Alone. He is producer of the Under the Radar Festival and planning the festival’s 21st Edition for January 2026. Upcoming premieres include Bryce Dessner & Kaneza Schaal’s Night Sky With Exit Wounds from the book by Ocean Vuong, Sam Green and Rebecca Solnit’s Untitled Trees, and Penny Arcade’s autobiographical epic The Art of Becoming. He is a founding member of CIPA (The Creative & Independent Producer Alliance). More information at arktype.org.

CATH BRITTAN

Originally from Manchester, England and now a resident of California Cath's Recent and up-coming productions include Aci, Galatea e Polifemo (dir. Christopher Alden); Messiaen's Des Canyons aux étoiles (w Deborah O'Grady) Glass Handel (2018 & 2019, BBC Proms 2022); Bandwagon (New York Philharmonic); Amadigi de Gaula (dir. Louisa Muller); 2018/19 and 19/20 Soundbox Season; San Francisco Symphony; Orphic Moments (dir. Zack Winokur); Abraham In Flames (composer Aleksandra Vrebalov); Perle Noir (Tyshawn Sorey & Julia Bullock); Arkhipov(composer Peter Knell); Birds in the Moon (Mark Grey, Elkhanah Pulitzer); ...Ihpigenia (Wayne Shorter & Esperanza Spalding); The Hunting Gun (dir. François Girard); No One is Forgotten (Prestini / Shirey);  Only an Octave Apart (dir. Zack Winokur); UnRavelled (dir. James Bonas), American Patriots (Yaniv Segal / Samantha Williams); The Comet / Poppea (dir. Yuval Sharon); In a Grove (Christopher Cerrone, Stephanie Fleischmann dir. Mary Birnbaum); Number our Days (Luna Pearl Wolff, David van Taylor); The Secret Sharer (DNAWORKS);  We The Messiah (Darian Dauchan, Daniel Banks) Kronos Quartet Triptych Project (25/26) andThe Known Lost (Allado-McDowell, Skye, Fleischmann). Between 2018 and 2023 Cath was the producer for AMOC* (American Modern Opera Company).

SAMI PYNE 
Producing Director, ArKtype

Sami Pyne is passionate about demystifying and decluttering the production process for creators. Through ArKtype, she’s had the pleasure of producing work with artists including 600 Highwaymen (A Thousand WaysThe Following Evening), Bryce Dessner (Dream House Quartet), CHRISTEENE (The Lion, The Witch, and the Cobra), John Cameron Mitchell (Cassette Roulette), nora chipaumire (NEHANDA, dambudzo), Sam Green (32 Sounds), Sophia Brous (Invisible Opera) and Timothy White Eagle (The Indigo Room, Indian School). In her independent practice, Sami is dedicated to making the creative process more accessible for emerging artists who are developing new work. Recent independent producing credits include Jeesun Choi’s To the Ends of the Earth / 땅끝까지 at JACK, Alex Hare and Julia Izumi’s Capricorn 29 at The Tank, Jen Pitt’s TRASH BODY MONKEY HOUSE at New Ohio’s Ice Factory Festival, Christina Tang’s TRAFFIC at The Brick’s Exponential Festival, and Keenan Tyler Oliphant’s Kyk Hoe Skyn die Son [Look how the Sun Shines] at Clubbed Thumb’s Winterworks. Sami received her MFA from Columbia University in Theatre Management and Producing, served as an observer for the Asian Producers Platform (APP) 2024 Camp in Malaysia, and is a proud Advisory Committee member of the Creative & Independent Producer Alliance (CIPA).

Featured image:

Photo: Allison Michael Orenstein