Conductor's Note & Bio

Conductor's Note & Bio

To say we are thrilled to be partnering with Yale Dance Lab, and giving the Yale Premier, of this seminal work would be a massive understatement.

The challenge, both physical and mental, of performing the Rite of Spring never lessens. It’s power and vibrancy pose numerous technical requirements which make huge demands on the performers to be totally engaged and alert from beginning to end, whether that is being a part of a mysterious chord of harmonics or contributing to the most cataclysmic climax – it’s not a piece for ‘passengers’!  There are so many people to thank for making this performance possible but I want give a special thanks to the Schwarzman Center for sticking with us through all the pain of making this happen and a huge hug to Emily and Lasso for their dedication and inspiring choreography and to all the student performers (musicians and dancers) for their dedication.

Enjoy - this piece will change your life.

William Boughton

Conductor

Born into a musical family - his grandfather (Rutland Boughton) was a composer, his father a professional viola player and his mother a singer. After studies, at New England Conservatory (Boston), Guildhall School of Music (London) and Prague Academy as a cellist, he entered the profession in London playing with the Royal Philharmonic, BBC and London Sinfonietta Orchestras. The experience of playing in orchestras led to a passion to pursue a career in conducting studying with George Hurst and then Sir Colin Davis.
In 1980 he formed the English String Orchestra initially focusing on early 20th Century English repertoire but developing it into late 20th and 21st Century Contemporary music commissioning over 20 works from composers such Peter Sculthorpe, John Joubert, Anthony Powers, Michael Berkeley, John Metcalf, Stephen Roberts and Adrian Williams.

In October 1993, William was awarded an Honorary Doctorate from Coventry University in recognition of his expertise in British music.  In November 1995, he and the ESO presented a weekend of music celebrating the 60th birthday of English composer Nicholas Maw, marking another milestone in his championship of contemporary English music.  In 1996 William Boughton commenced a second term as Artistic Director of the Malvern Festival. The 2005/6 Season was his final year with the ESO.

In July 2007 he became the 10th Music Director of the New Haven Symphony Orchestra (NHSO), with whom he instituted a ‘Composer in Residence’ Scheme (Augusta Read Thomas, Christopher Theofanidis, Hannah Lash) and started a major Walton Project with concerts, lectures/talks and recordings on the Nimbus Label. With the NHSO he has received two ASCAP Awards (2011 & 2014) for Adventurous Programming and received critical acclaim for the Walton Project, with Gramophones Edward Greenfield nominating it for ‘Record of the Year’ (2010). In October 2014 two new recordings were released with the New Haven Symphony of William Walton and Augusta Read Thomas. 

His commitment and dedication to the younger generation is epitomized through his teaching – creating a cello studio in one of the poorest areas of New Haven, building the NHSO’s Education Dept, working with the State and Regional Youth Orchestras and teaching at the Yale School of Music. In May 2016 he visited Central China University for Conducting Master-classes and conducted the Hubei Symphony. He regularly records for both Nimbus and Lyrita Labels and guest conducts in the USA.