Bandaloop including Chibueze Crouch '14

Bandaloop including

Chibueze Crouch '14

BANDALOOP

An innovator in vertical performance, BANDALOOP seamlessly weaves dynamic physicality, intricate choreography and climbing technology to turn the dance floor on its side. Founded by Amelia Rudolph and under the artistic direction of Melecio Estrella, BANDALOOP re-imagines dance, activates public spaces, and inspires wonder and imagination in audiences around the world. The company trains dancers and youth at home and on tour, and has performed for millions of people in over 22 countries in Europe, Africa, the Middle East, the Americas, and Asia, and on screens in films and digital media.

BANDALOOP is based in Oakland, CA, where the company incubates and produces work for its local audiences and for touring performances presented around the globe. Education and outreach are an intrinsic part of the company’s mission. In addition to its ongoing work with youth, BANDALOOP offers regular classes, camps, and intensives at its home studio and in the mountains, and team building programs for executives and leaders of organizations. To learn more about BANDALOOP's education initiatives, click here.

Chibueze Crouch, photo: Ismael Ya Agyapong

CHIBUEZE CROUCH '14

Chibueze Crouch (she/they) is a Nigerian-American artist, writer & curator working across ritual theater, song, movement, and film. Her interdisciplinary practice explores the nuances of Igbo cosmology, Afro-Diasporic longing, and queer identities in collaboration with her chi and communities. They are cofounder of the directorial & performance duo, OYSTERKNIFE, with Gabriele Christian. She is also a curator of emerging artists with the Performance Primers collective, and an audio describer for the blind & visually impaired with Gravity Access Services. They have presented work with numerous institutions, including: Bandaloop, UC Santa Cruz, Theatre Bay Area, CounterPulse, the Medea Project: Theatre for Incarcerated Women, Playwrights Foundation, Trinidad Theatre Workshop, Yale University, Mupa Budapest, and the Black Choreographer's Festival.

Read the full text of "love against all odds":

The summer I first arrived at Yale, I felt like an unmoored star. Pulled from my familiar constellation of family, friends, and community, I didn’t know how I’d find land or where I might fall. Yale was the center of a faraway universe, a distant sun that glowed with the warmth of possibility, but never truly touched me… until I walked through the gates of Old Campus.

I was now part of a new galaxy, potential futures unfurling before me like an infinite cloud of stardust. My loved ones squinted up at me, muscle and bone transmuted into pure light. The faith of their unwavering gazes brought me comfort. Yet the history and heft of Yale was a gravitational force that pulled me into unexpected orbits.

Here I was: a public school kid who loved libraries and singing and theater, suddenly surrounded by… all of this.

I wasn’t ready for the white hot heat that burned my skin so close to the sun.

Every choice felt weighted. Urgent. Like I had cemented the rest of my life in choosing the wrong course or the right club.

What I didn’t know is that every person around me felt the same. We were hiding behind the veneer of the well-adjusted happy Yalie, swallowing the fears bubbling up inside, asking the same questions:

Was I meant to be here?

What could I possibly make of myself in a place like this? Could I really belong?

(Music)

I was searching for land As I fell from the sky

A falling star

With nowhere to hide

I followed my fears Didn’t question those lies Took me all these years To find the light

I let my star fade

Didn’t know my own truth

When I stepped through those gates I felt something come loose

Following fears Following fears Following fears

Makes love hard to find

Following fears Following fears Following fears

Makes love hard to find

If Yale was a bright sun fixed to the night, burning and illuminating in equal measure, then the people I met here were glittering planets and stars, scattered in unfamiliar patterns. I was surrounded by people who’d spent their entire lives preparing for a place like this, sure of their exact placement in the sky.

But if you looked at just the right angle, other constellations emerged–the lovers and friends and chosen family I made all equidistant from the center of my heart.

We charted new paths clustered lovingly together like words to an invocation guiding us through this disorienting galaxy.

But the star I flew towards like a moth to moon was Sam. Professor Samuel See.

He taught a Queer Mythologies seminar in my sophomore year. Sam made me feel like I’d found a home at Yale.

Like I could survive among the stained glass windows of slaves picking cotton in sparkling shards of light, the eyes that sometimes pierced my back when I held my girlfriend’s hand, the people who wondered out loud if I deserved to be here.

He taught me that all the fears haunting these hallowed halls were black holes absorbing my precious energy.

Long after his seminar ended we’d share lunch or have coffee, and he’d dissolve my worries with tender words or a gentle reminder of the bright molten passions anchoring my core, the dreams carrying me forward.

The first time Sam heard me sing, he wept throughout my performance. He came to my plays and wrote pages of thoughtful feedback.

I felt lucky to stand in his moonlight. But every moon has its unseen side, and I only glimpsed a sliver of Sam. He died suddenly my senior year.

His passing was a supernova exploding in my brain:

A smoldering shock that melted my perception of self, of Sam, and what could happen next.

He was one of the loves I found, against all odds. And he was supposed to be here, as certain as Sun.

(Music)

He told me one simple truth To help me find the light

He said “God is Joy, And she’s on your side.”

And though the darkness did take him And many others lost the fight

There is a deep and simple power In always seeking starlight

So when the shadows come close And they whisper their lies

Just trust in your feelings

They are the source of your might

Just trust in your feelings Just trust in your feelings Just trust in your feelings God is joy, she’s on your side God is joy

God is joy God is joy

And she’s on your side